Dirty Dozen Brass Band

Dirty Dozen Brass Band—Sound Info (07.11.04)

FOH sound

Graham Spice
me@grahamspice.com
615.497.5812

all stands should be fullsize boom stands unless otherwise noted
31-band eq and compression/limiting for mains are essential
inputs of sub-woofers in the venue should be set to an Aux at FOH if possible
2 in-ear monitor setups will be provided by the band (for drummer and bari sax). One is wired (drummer, needs XLR) and other is wireless (bari sax)
5 powered monitor wedge mixes should be available on stage
drummer requires a powered monitor mix via Neutrik connector for drum throne amplifier (not always used)
stand-alone CD recorder with known-working blank disks that we could purchase would be nice
CD player with MP3 capability would be nice
the band will provide music before and after the show

Channel Number	Input Description	Recommended Mics	Compression (14 channels)	Gating (11 channels)
1	Sousaphone	Audix D4	y	y
2	Kick Drum	Audix D6, Shure Beta 52 or 91	y	y
3	Snare Drum	Shure Beta 57 or SM57, Sennheiser 604e (mount supplied)
4	Snare Drum 2	Shure SM57 (mount supplied)
5	High Hat	AT4041, SM81, C451, RE200
6	Tom 1 (Floor)	Audix D4 or D2, Sennheiser 421 (mount supplied)		y
7	Overhead	AT4041, AT4033, SM81, C451, RE200
8	Overhead	AT4041, AT4033, SM81, C451, RE200	y
9	Drum DI	active DI preferred	y
10	Electric Guitar	AT3035, KSM27, 604e, or general large single-diaphragm microphone	y
11	Trombone	Sennheiser RE20 (straight mic stand)	y
12	Trumpet	Audix D3, SM57(straight mic stand)	y
13	Tenor Sax	Sennheiser 421	y
14	Baritone (wireless)		y	y
15	Soprano (wired)	Sennheiser RE20, Beta 57, SM57
16	Soprano (wireless)			y
17	Vocal 1 (Trombone)	Beta 87A, Beta 58, SM58	y	y
18	Vocal 2 (Trumpet)	Beta 87A, Beta 58, SM58 (straight mic stand)	y	y
19	Vocal 3 (Tenor Sax)	Beta 87A, Beta 58, SM58	y	y
20	Vocal 4 (Guitar)	Beta 87A, Beta 58, SM58	y	y
21	Vocal 5 (Drums)	Beta 87A, Beta 58, SM58	y	y